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Structural Functions in Music by Wallace T. This brilliant inquiry into tonal, textural, and rhythmic structures in music, filled with original formulations and provocative ideas, has become one of the most widely read and studied works in music theory, frequently adopted in college and university curricula, and often cited in scholarly studies in the field. Starting from an all-encompassing viewpoint — a belief in t This brilliant inquiry into tonal, textural, and rhythmic structures in music, filled with original formulations and provocative ideas, has become one of the most widely read and studied works in music theory, frequently adopted in college and university curricula, and often cited in scholarly studies in the field.
Starting from an all-encompassing viewpoint — a belief in the importance and necessity of logical analysis of the musical experience, and the study of objective data derived therefrom — it moves toward a deeper understanding of musical structure and experience through a systematic exploration of tonality, melody, harmony, and rhythm, and their important interrelations. These are illuminated in penetrating analyses of musical works and extracts ranging from early model styles to modern compositions.source site
Wallace Berry - Wikipedia
The procedures by which structural elements in nearly all music function expressively are analyzed in depth. Texture is explored in a Gesualdo madrigal, a Telemann fantasy for violin, and works by Bach, Brahms, and Dallapiccola. Works by Beethoven, Chopin, and Webern are subjects for revealing studies of rhythm and meter. A model of original thought, this book has now become one of the most influential works in musical analysis, an invaluable resource for musical scholars and students of musical theory, a lively stimulus to individual theoretical exploration.
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ISBN 10: 0486253848
Structural Functions is what Sonic Design: The Nature Of Sound And Music would look like if the writing were less conversational and making an attempt to be more thorough. A mash-up of the two would make a pretty nice textbook as both attempt to consider music theory from a modern and analytical as opposed to prescriptive point of view. Berry's thoroughness is at its best when he's making lists of all the possible variables to consider in analyzing any particular passage of music. But it also frequently turns the long chapters into a slog as repetition grinds the book to a halt.
Nowhere is this truer than the last third, in which the book treats rhythm.
Structural Functions in Music Jemian Berry ReviewV12
When something doesn't make intuitive sense, find the text elaborating it and read it. As with most music theory texts older than ten years old, it deserves a revision to a more interactive format. Peter Castine rated it really liked it Apr 14, Jonathon Bock rated it liked it Jul 13, Starlyn rated it liked it Apr 27, Mccade Smith rated it liked it Nov 20, Ben rated it really liked it Jan 24, Alexandra Perdew rated it it was amazing Apr 05, David rated it liked it Mar 03, Vic Dillahay rated it liked it Apr 27, Brandon Nonnemaker rated it really liked it Jul 27, Namrirru rated it liked it Dec 14, Julie rated it it was amazing Jul 30, Deke rated it liked it Nov 03, Andrew Boscardin rated it liked it Nov 14, Frank Galante rated it it was amazing Apr 22,